Contributor
Contributor
Jessica Lovett
Intern
Favorite Genres
Experimental Fiction, Feminism, Fiction, Flash fiction, French Literature, Literary Critiscm, Non-fiction, Poetry, Politics
Experimental Fiction, Feminism, Fiction, Flash fiction, French Literature, Literary Critiscm, Non-fiction, Poetry, Politics
Jessica is a student at Fordham University where she studies Comparative Literature and French, with a specific interest in women writers from the 17th-18th centuries. She is interested in publishing as well as archives, libraries & museums. She also loves experimental, queer fiction and is passionate about poetry, cinema, and music.
ARTICLES BY THIS CONTRIBUTOR
ARTICLES BY THIS CONTRIBUTOR
Jessica Lovett | November 13, 2020
What story does he live to tell? What is his call, his purpose? These are the questions that haunt him, that push him further away from his past and into a new beginning: only to realize that this vie nouvelle, a life without memory, a present without a past, cannot be sustained — because it is only by reckoning with…
What story does he live to tell? What is his call, his purpose? These are the questions that haunt him, that push him further away from his past and into a new beginning: only to realize that this vie nouvelle, a life without memory, a present without a past, cannot…
What story does he live to tell? What is his call, his purpose? These are the questions that haunt him,…
Jessica Lovett | October 28, 2020
Zahia Rahmani’s novel is in constant conversation with the politics of translation—between dream and memory, between identity and self, across culture and language, it is concerned with bridging the gaps of interpretation, in filling the holes that are left behind, and in retrieving what (or who) gets lost.
Zahia Rahmani’s novel is in constant conversation with the politics of translation—between dream and memory, between identity and self, across culture and language, it is concerned with bridging the gaps of interpretation, in filling the holes that are left behind, and in retrieving what (or who) gets lost.
Zahia Rahmani’s novel is in constant conversation with the politics of translation—between dream and memory, between identity and self, across…